Interior Landscape
The Interior Landscape series depicts famous places and sites in cities without their exterior images. Two photos of the left in the triptych are views from the place and of its inside or its underneath. The size of each part in the triptych is 14 x 11 in. (or 35.6 x 28 cm) in a frame, except for part of the painting.
The Statue of Liberty-March 11 2016
2016, inkjet print photograph on paper (left), white color pencil on black-paper on black-paper (center), and acrylic on linen (right), 36 x 84 cm (or 14 x 33 in.)
The center in the triptych is the handwritten excerpt about the Liberty from pp. 258 of Open City by Teju Cole. I rearranged some words. I photographed two images associated with the site and made the original drawing for Equivocal Landscape in the sketchbook on the same day (March 11, 2016), on which the painting is based.
Brooklyn Bridge-March 10 2016
2016, inkjet print photograph on paper (left), white color pencil on black-paper on black-paper (center), and acrylic on linen (right), 36 x 84 cm (or 14 x 33 in.)
Solomon R. Guggenheim Museum-September 2 2016
2016, inkjet print photograph on paper (left), white color pencil on black-paper on black-paper (center), and acrylic on linen (right), 36 x 84 cm (or 14 x 33 in.)
The center in the triptych is the handwritten excerpt about the Guggenheim Museum from pp. 746 of New York by Edward Rutherfurd. I rearranged some words. I photographed two images associated with the site and drew the original drawing in the sketchbook of Equivocal Landscape on the same day (September 2, 2016), upon which the painting is based.
The Four Seasons-July 11 2016
2016, inkjet print photograph on paper (left), white color pencil on black-paper on black-paper (center), and acrylic on linen (right), 36 x 84 cm (or 14 x 33 in.)
The center in the triptych is the handwritten excerpt about The Four Seasons from chapter 27 of Harold and Me by Jann Robbins. I rearranged some words. I photographed two images associated with the site and drew the original drawing in the sketchbook of Equivocal Landscape on the same day (July 11, 2016), upon which the painting is based.