In Landscape of the Day, I work with two snapshots taken while walking through a place on a given day: one depicting an interior space, and the other an exterior view seen from within. I then select the drawing from Equivocal Landscape made on the same day.

After scanning and digitally reworking the drawing, I combine it with the two photographs and print the image in a 4-by-6-inch format. Enlarged lines and dots from the original drawing are layered across the surface, which I then trace with a white oil-ink pen.

Through this process of tracing and whiteout, the image becomes partially obscured and revised. Rather than clarifying the original experience, the act of correction alters it, producing a shifting image suspended between observation and recollection.

The resulting works evoke the unstable perception of a walker moving through a place where interior and exterior, memory and direct experience, can no longer be fully separated.